It’s a Lensbaby, Baby

Lensbaby_Composer

I have to admit it, I love my Lensbaby. I know it is probably not logical to “love” an inanimate object, so I suppose I should qualify my original statement. I love what my Lensbaby can do and how it affects an image and yes, how it inspires me. The ghost town of Rhyolite (above) [...]

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Build yourself a planet

planet bnsf_siberia2

Photography is largely a solitary sport. It is rarely done in a team setting. There is the photographer, a camera and object that is being photographed. Occasionally, there is an assistant. It can also be very serious, after all, if we aren’t just making snapshots, we are trying to create Art, with a capital “A.” [...]

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What’s wrong with this picture?

The mottled light over the amphitheater at Cedar Breaks National Monument makes for a confusing landscape photo.

Okay now, students. Put away your books and take out a nice sharp pencil. We are going to have a pop quiz! Well, maybe not really, but kind of. We are going to use the lessons learned from our past few tutorials to dissect this image. Is it a good photograph? A bad one? And [...]

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Where do your lines lead?

Leading lines, also called vectors, like these rows of grape vines, take the eye into a specific part of the image, in this case, the house and winery.

So far in our columns we have covered these basics of composition: Simplicity Simplify your pictures by choosing uncluttered backgrounds that strengthen the center of interest. Move in close eliminating unnecessary distractions. One famous photographer said that anything further away than 500 yards was not photogenic. Something to think about maybe. The Rule of Thirds [...]

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Rule of Thirds

This image of the abandoned Cottonwood schoolhouse in Northeastern Montana is an example of how to use the Rule of Thirds in a landscape photograph.

Composition and how you frame an image determine the difference between a bad photo and a good one. Now, if you like your photos with heads cut off, big empty spaces around things and a little kid whose face is so small it’s hard to pick him out of the pumpkins he’s sitting in, then [...]

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Taking a visual journey

The dock in the pond at the base of Idaho's Bruneau Dunes creates the type of diagonal line we talk about in the column; leading the eye into the image.

Continuing our chat about composition, let’s review a bit from last week. Putting the horizon line in the center of a landscape has a tendency to cut the image in half, where the two parts do not necessarily create a more harmonious whole. When you are standing or crouching in position you have to make [...]

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